ComicPull, Motion in Comics, Webcomicz, and 5 Tips

This site has nothing to do with webcomics but it’s such a simple and nice service I couldn’t help but mention it. It’s called ComicPull and it’s a site that allows you to create and manage a custom online subscription for comic books. When you find a comic that interests you, click “Pull This” and every time a new issue  is released, they’ll order it for you. They’ll ship out your comics based on your shipping preferences. It’s like having your own comic book store right at your fingertips.

This probably happens once a year but on The Webcomic List forums I found this story about a guy who has created a flash based comic. This james113 created a production using flash. It includes music and still frame cels in front of a more detailed background. Kind of like a japanese visual novel. Unfortunately he doesn’t post the comic so I can’t actually give you a first-hand count. The discussion goes into how anything that consistently moves isn’t a comic, but it still presents a story through visual means.

Years ago, shortly after Zampzon went on to other things, there was a serious discussion around DS becoming hosting site and/or webcomic listing site for those strips we thought were the best. The discussion went in several directions:

  • Who are we to think we know what is better than everything else?
  • There are much better hosting solutions out there then a group of guys just trying to help
  • Who would actually care?

There must have been months of discussion and it all ended with the status-quo. That probably explains my confusion over why Webcomicz would even consider making their own top list. There hasn’t been much reaction to the announcement but hopefully something good will come out of it.

Has anyone heard of Mooky Chick? It’s a weekly online magazine for alternative women. It features alternative style, beauty, health, relationship and careers advice, music and general alternative culture. Most importantly they seem to be embracing webcomics and have dished out some decent advice. Some of it obvious (draw good, use good words) and the rest just makes since (good characters, avoid cliches, and don’t procrastinate).

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Digital Strips 200 – a Number so Big it Needs no Title

We did it, we recorded ourselves talking 200 times.

This is a super special episode in which we talk to two special guests that should be well known to old time fans of the show. We discuss a wide array of topics, getting right to the very meat of what Web comics are and what they mean to us and to the world. We also talk about how web comics can capitalize on blogs and conventions to become more than any other medium could ever hope to and we end with our favorite web comics.

It’s a long show and one with a lot stuff to respond to so please do so in the magical area below.

Show Notes:
Digital Strips Adventures
Bramble Vine
Perry Bible Fellowship
PVP
Penny Arcade
Woody After Hours
Fleen
Least I could do
Candi
Finders Keepers
Princess and Giant
Wonderella
Guns of Shadow Valley
Greetings from Wonderland
Dorm Dorks
Doodles from deGrandLand
Chippy and Lupus
Abominable Charles Christopher
My life in a cube
Bear and Tiger
Pajama Forest
Edmund Finney
Imagine this
Rice Boy
Dark Legacy
Omake Theater

We actually lost Daku’s (spoiler?) sign off. Sorry about that.

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eHow, Webcomic Factory, SWOR, and Contropussy

Found a new site trying to give the basics on how to start your own webcomic. It’s short and barely adequate, but it does give just enough information for anyone to start looking for more. Actually it’s a better list then you’ll find almost anywhere else, based on our experience with DSA. For instance having a more than one strip is essential. You have to give your readers a reason to flip through and stick around. Using a hosting site can save a lot of problems (never heard of Comic Dish before this article) but I would also recommend pursuing something like Comic Press. Getting a comic email address and following a schedule seem obvious but you’d be surprised how many mess either of those up.

Found a new webcomic collective in the Webcomic Factory. Not sure about the name but it is the brainchild of Christian Beranek and Tony DiGerolamo.  Together, they created this webcomic “hub” from a variety of artists.  The concept of the Webcomic Factory is to create a professional hub of quality comic entertainment.  It’s like a digital version of the funny pages in a newspaper mixed in with traditional comics and Japanese Manga.  Already, Christian and Tony have acquired a huge library of affiliated content and they look forward to creating new content for you every day.

SWOR has a new update finally. This new issue is a lot better than the first, not just because they’re using a hot girl with red skin. There’s still the problems with pacing and not having any idea of what’s going on. The best update seems to be to the flash engine. Perhaps I missed this before but you can click on the right and left sides and a page turning graphic reveals the next or previous page. Can I get that?

Found a new comic and it has the best name I would be afraid to use: Contropussy. This is a webcomic by Emma Caulfield, Camilla Rantsen, Christian Meesey and Thomas Mauer. It chronicles the adventures of Contropussy and her friends. By day, Contropussy is an ordinary house cat, but at night she comes alive and searches for excitement in the world outside. Think of it as a more subversive Sex and the City with animals. The strip is updated every Monday and Friday and they’re hoping to go daily once they get enough donations.

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Code Green ~IS~ … Well, Just What It Sounds Like

If you’re sick and tired of the abuse the environment has been receiving lately (especially given the recent nastiness spewing forth to ruin poor Mother Earth) and if you’d like a cartoon or two to help you work out your frustrations, then this might be the project for you. Editorial cartoonist Stephanie McMillan is posting a new editorial cartoon every Monday on her site, Code Green, in an effort to help spread the word about the injustices occurring every day in various crimes against the environment.

The rub here is that she asks for donations for each cartoon used. Take a JPEG, hi-res or low, and use it wherever you see fit… so long as you pay for the work you intend to use. So far it seems like this pay-as-you-like method is working, and so long as the patron sees the value in these cartoons, she shouldn’t have to worry about being short-changed for this service. I’ll admit that personally I don’t have a need for editorial cartoons in any capacity, so this idea is clearly not for me.

But what do you think, Digital Strippers? Is there merit in this scheme, or is this yet another Internet monetary plan destined to go belly up?

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Digital Strips 199 – Eisner Nominees

Every year people get paid to decide which comics are the best, and recently they’ve began to come down from their ivory, print-laden, towers to make the same judgement on web comics. Some times they make the right choice (PVP) some times, they really botch it up (Sugarshock). Still though, in my own unbiased opinion, I think the better committee would be one assembled from experts specifically from the web comics field, from people who have a much wider knowledge of what the web is capable of, people who have goatee’s and wear baseball hats, even indoors.

My personal gripes aside, this is the strongest year of nominees that I’ve ever seen. Two Digital Strips favorites, the world’s first Zuda instant winner, the standard “Artsy” comic and a comic with cowboys. There’s a lot of variety and a lot of good stuff to read. They are:

The Abominable Charles Christopher

Bayou
The Guns of Shadow Valley
Power Out
Sin Titulo

How do this years picks stand up to the litmus test of people featured on an episode of Digital Strips? Will we ever recover from the outrage of Sugarshock winning? What crazy thing will Jason say to offend his wife next? You’ll have to tune in to find out.

After you tune in, let us know what you think in the show notes. We love comments, almost as much as we love commenters.

Show Notes:
Abominable show (turns out it was a nominee two years ago, we should have mentioned that in the show, but I’m not sure why it’s been nominated twice, what’s the deal guys?)
Sin Titalo Show
Rice Boy
David Gallaher
Transmission X
Kukuburi
Facebook link

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Warren Ellis ~PRESENTS~ Webcomics Week

Warren Ellis, world-famous comic creator and writer of the popular webcomic, FreakAngels, is offering up his forums for yet another week to anyone who wants free advertising for their webcomic. Make no mistake about it; regardless of whether or not your comic is good, this will get some eyeballs on it. You can’t fault the guy for doing what he can to help now, can you?

Stop on by his forums and post a little something about your comic today!

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Digital Strips 198 – Review: Woody after Hours

This is going to come as a big surprise to a lot of you I’m sure, but back when I was in Jr. High, I a bit of a nerd. Shocking, I know. After hours of being the odd man out at school, mentally tiring homework and physically taxing sports, the only thing I had to look forward to was a solid hour and a half of Late Night TV. I’d watch the first half of Leno, Letterman and O’Brien religiously, and experience that still effects me and the way I arrange the furniture in my living room.

Apparently I’m not the only person on the Internet to be so influenced by the Kings of Late Night. Woody after Hours is practically a love letter to the late night talk show format. It’s a very interesting new comic about a lovable everyman at his quest to make it big in the world of late night. Besides the normal gag-a-day wackiness, Woody invites guests from other Web comics to sit on the couch and be featured on the show.

It’s a great idea and a fun way to collaborate with other creators, but how does the execution hold up? You’ll have to tune in to find out. That’s what we call a teaser folks.

Show Notes:
Gigcast
Amazing Super Zeros
Blambot
Nate Peikos
Escape from Planet Nowhere
Snowflakes
No Need for Bushido
Edmund Finney’s Quest for the Meaning of Life
Monster plex
Chronicle
Lucy’s Imps
Mimes
Imagine This
Scot Kurtz
Girls with Slingshots
Questionable Content
Looking for group

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Charity, Facebook, New List, and Making a Living

This came up in an alert and I have no idea what to think about it. There’s some vague memory in my head hearing about Kiva on NPR but then I have a vague memory about everything, like walking through life under a permanent sense of deja vu. This project was inspired by the Comic Creators Alliance charity. While Yamiloo was trying to think of an original way for webcomic artists to earn money, she remembered a Sister Claire food contest.  The idea is simple: each artist creates a postcard design, of which they print 10 limited editions. The cost of printing and mailing the cards will be covered by the minimum donation.  A minimum donation will get a “general” card, and the limited edition cards will be priced a bit higher. The limited cards will have personal messages from a character in the comic, and be signed by the original artist. All the proceeds will be donated to Kiva.

Seen the new webcomic Facebook page? Some random side-effect of when Facebook created a page for everything or maybe someone finally thought it up and followed through. Webcomics now have it’s own page that the world can link to promoting their love of the art that is digital.

If it’s not another blog it’s another list. There is another webcomic ranking site out there. This one is called the WebcComic Super 100 List. This goes beyond the existing The Webcomic List, the Belfry Webcomic Index, Webcomicz, and the most popular of them all TopWebComics. Let us hope it doesn’t go the way of Buzzcomics.

Found an AOL Small Business series called the Startup Online Reality Series. Laura found herself interested in a comic called The Oatmeal by Matthew Inman. Surprisingly she also goes deep and does a real in-depth and well researched article. Almost as if she’s taking the medium seriously and not just trying to get some easy search hits. First we are given some quotes from Matthew on how he went from rags to self-sufficient. Then there are mentions of xkcd, Penny Arcade, PvP, and Achewood on their success along with information from Brad Guigar. Perhaps my favorite quote is from Inman where he tells us he had 200,000 visitor but only 50 of them were willing to help support him.

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Badaboom Is The ~NEW~ Comic Sans

This is more of a rant, so the bulk of the conversation will be reserved for an upcoming Digital Strips podcast (new show every Monday or your money back!) but stop… right… now. If you create a comic or are part of the lettering team on a comic, take a moment to review your fonts and typefaces. If Badaboom is among your repertoire, then congratulations, you’ve chosen a versatile font that can be used in a variety of ways and is the perfect comic-book-y font.
If only it could used for good

If, however, Badaboom is your only font, head on over to Blambot where you can pick up a multitude of free fonts for use with dialogue, sound effects, and more and stop ruining the webcomic community.

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Digital Strips 197 – Horizon’s Rewind Number 2

Don’t it always seem to go, that you don’t know what you’ve got till it’s gone? Although in this case they didn’t so much pave paradise as just stop updating it.

We’re getting in the wayback machine once again to take a look at where our horizons picks from a time long gone are now. It’s a strange occurrence, as all from the first show have disappeared into the ethernet, while everything from the second show lives on and goes strong. Along with all this nostalgia we hit the news feeds for another addition of Digital Strips Google News Alerts.

Join us, won’t you for a look at a simpler time with some complex and awesome comics.

Show Notes.
No More Zuda
David Gallaher
Night Owls
Goats
Fleen
Octopus pie
Superhero for a day
GhostPimp
KittyHawk
Mimes
Tiny Kitten Teeth
Penny Arcade
Lookouts
Lovecraft is Missing
Rice boy
Order of the Stick
Joe Loves Crappy Movies

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