Ryan Estrada Planning Movie Based ~ON~ His Hit Zuda Entry

Ok, to be a hit, it probably would have to win the monthly contest, but come on! This sweet, charming, funny comic should have won that month, no question. Regardless, Estrada has decided to do what he usually does and just turn it into something amazing on his own.

Feel the tension!

Already in the works, The Kind You Don’t Take Home to Mother: The Motion Picture will be a 90-minute full-length animated tale spun out of the 8-page Zuda entry (found here or here, if you prefer the Flashed up, Zuda site version). The look will be both familiar and different, as the Estrada-produced cartoons will be laid over real-life backgrounds, shot in downtown Royal Oaks, Michigan.

All three of our ZudaWatchers (one former) agreed unanimously that this concept needed to continue in some form, so kudos to Estrada and the team he’s assembling to make this thing happen!

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Least I Could Do Revisits The Past ~PRESENTED IN~ Re-Digitized, Remastered, Lar-i-vision

Last week, Ryan Sohmer announced that he and Lar DeSouza would be working together on a redux of the first 127 Least I Could Do strips, originally illustrated by Trevor Adams. As Sohmer himself puts it:

While I’m not proud of the writing done in those strips, they nonetheless contain many historic moments that still resonate with our characters today.

With that in mind, he playfully told Lar he should redraw all 127 strips so the continuity of the current look is kept intact. Lar, being the drawing machine that he is, took him up on the challenge and the resulting LICD: Black and White book is what will result from this dare.

I can’t think of a single artist who wouldn’t jump at the chance to redo any older work, especially elements that effect current storylines that were never under their control. The link above will take you to the LICD post where we are given a taste of what this remastering might offer. The more polished, cleaner work of DeSouza is tasty to say the least and I can’t wait to see how these older strips are given a new life with this book.

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Horribleville Vol. 1 ~NOW~ Up For Pre-Order

If you like webcomics and especially enjoy humorous, grotesque, random comics that tell just about any story you could think of in a childish, sophomoric manner, then you must have heard of KC Green. The man excels at keeping things simple and yet ridiculously funny and has done so with various titles, like his current hit, Gun Show, and Horribleville, the precursor to the Gun Show that delved into the twisted pseudo-real life of KC Green.

I’ve yet to experience any of KC’s masterpieces in print but that won’t hold true for much longer as Horribleville Vol. 1 is now available for preorder! The write-up for the book says it all better than I ever could, so check it out and drop the bones to make sure you get your copy when they start shipping in February!

Started on Christmas of 2005, Horribleville was, indeed, a gift unto the world. A young KC Green (then 18) began writing about moments from his life, the worries and self-doubts we have about our abilities and having long conversations for your internal editor (as well as the physical manifestation of your writer’s block and your childhood pet cat).

DOES he ever find true peace with his inner struggle about his work?
WILL he ever be truly confident in his abilities?
DOES he ever stop feeling bad?

The answer to these and many more questions is “no”, but that doesn’t mean we can’t still have fun trying to figure things out.

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Webcomics.com ~GOES~ Pay-For-Play, Minus The Play

In a move that is certainly causing mixed reactions across the board, Webcomics.com, helmed by Brad Guigar, announced Sunday that the site content will now be available to all who register for a pay account for the price of $30 a year. The post declaring this new business model for the community-driven webcomics information hub has a lengthy comment thread that is well worth reading if you’re trying to decide whether or not to give it the ol’ college try.

The question that strikes me as particularly intriguing is one posed by David Gallaher:

Clicking around, I didn’t see a Terms of Service notice or anything that guarantees my rights as a consumer of your information. How do I know that Brad won’t take all of my money and build a dream house in Florida?

In terms of this being a business decision, this does seem like a make-it-or-break-it point. The Internet has proven to be anything but stable, so is there any way to ensure subscribers they will get their money back if the whole thing goes tits up tomorrow?

Oh, and some dude talked to Brad himself about the whole thing. Maybe he has more info you should check out.

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Buy a 2010 PvP/Skull Calendar ~AND~ Help Some Cambodian Children

skullCalendarRemember that webcomics community I was just praising? It’s opportunities like this that make that group such a good one to be associated with.

Via yet another tweet, Scott Kurtz has asked all bloggers to help spread the word about his latest calendar, featuring a Skull plushie traveling around the world, which will help to improve the lives of many Cambodian children.

Nothing more to say about it that hasn’t already been said: it’s a product you were probably going to buy anyways and it benefits a great cause. So click here, get your calendar, help out the children of Cambodia, and tell a friend.

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The Webcomic Overlook Evaluates The Biz ~OF~ Reviewing Webcomics

Via a tweet from The Superfogeys creator, Brock Heasley, I’ve stumbled across this introspective write-up from luchador blogger, El Santo, on the business of reviewing webcomics. The post is interesting in terms of what he will be writing about on his own blog in the future, but it’s the comments about giving time to new, unknown webcomics vs. covering the big guns that piqued my interest the most. On the goal of focusing on the unknowns, he writes:

This is actually a very noble aim. I mean, does the world need another person gushing about how much he loves Penny Arcade? Do we need yet another person saying why xkcd is the greatest webcomic of the century? Isn’t ragging on Ctrl+Alt+Delete just getting a wee bit tired? Wouldn’t you rather hear something new?

I applaud all bloggers who live by this code. I’ve encountered quite a few, in fact, have expressed the same sentiment […]

See? Someone applauds us. So we’re doing something right.

In terms of what we here at Digital Strips cover, the unknown approach seems to work the best for us. Sure, we can throw the success stories a bone here and there, but my personal goal for DS is to help those comics that are incredibly talented but not necessarily connected to the greater webcomic community find their way to that road that will lead to the community that eventually builds towards a greater following and thus, greater success.

While I can’t disagree with El Santo’s reasons for reviewing bigger, more recognized webcomics, we decided a while back to make this our mission statement and luckily, we’ve been able to keep the podcast alive, which is our best shot at connecting with readers/listeners about a new property they need to notice on their radar.

Thanks to El Santo for getting this discussion started, and please chime in with your thoughts on the topic.

The Webcomic Overlook: Why Captain Nihilist reviews the “big” webcomics (El Santo, 2009)

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Scott Kurtz To Team ~WITH~ Comics Legend, Neal Adams, For Christmas Storyline

From our friends at Fleen (hey, this is the time of sharing and caring), who discovered the news from Bleeding Cool (see?), it seems that Scott Kurtz, who has been jazzing up PvP for months now with a more digital, comic book-y feel, will be pairing with comics legend Neal Adams.

I trust there is some crossover between our webcomics lovers and those of the print variety, so Adams’ name should be one that is instantly recognizable. Known for his grittier, more realistic takes on various heroes for both Marvel and DC Comics, Adams’ contribution to the PvP Xmas arc will likely be minimal, though more in terms of content than the impact he will make on both Kurtz and the comic loving fans that frequent the PvP site.

Next thing you know, Adams has connections with the Academy of Art and Sciences and BAM! Kurtz is hosting the Oscars come 2011. Mark my words, people…

Fleen: This No-Internet Thing Is Getting Old (Gary Tyrrell, 2009)
Bleeding Cool: Scott Kurtz and Neal Adams Team Up (Rich Johnston, 2009)

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An Email Can ~SOMETIMES~ Lead To A Review

Just a friendly reminder to all you aspiring webcomickers out there to send your strips to digitalstrips@gmail.com so we can give ’em a once over to see if we’d like to use them in a future podcast! We’ve gotten a lot of submissions recently and many of them are going to be featured soon so we can share these relative unknowns with the rest of you ‘Net navigators out there!

As a disclaimer, however, entering your strip does not mean a review is forthcoming. We take a look at the overall quality and determine, based on many complicated algorithms, whether or not we will review the comic. I say this not to discourage but because, if we were to do reviews of strips that didn’t measure up in terms of technical skill, they would be a) too numerous to count and b) overly negative.

So if you think you’ve got the chops to stack up with the big boys, submit your comic to us! If you want more shows, we need more strips, so you’re really only helping out yourselves in the long run.

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Superfogeys Teased ~ABOUT~ 2010 Storylines

Between having an entirely separate origins-based spin-off that is drawn by a different artist with each new arc and now having teasers about its upcoming storylines, The Superfogeys is doing everything it can to stand out amongst the webcomics pack, a tall order to be sure, given the immense breadth of content available in the Inter-Ether.

So when series creator Brock Heasley announced on the website that an image providing clues to the 2010 storyboard would go live last night, I was eager to click that link as soon as it was tweeted. When the post dropped, this intriguing poster was revealed:

superfogeys2010Teaser

What does it mean? Does the Harry Potter date font foretell of something… magical? Is that the mysterious, nefarious Dr. Klein we see, almost completely clad in shadow? Is The Superfogeys going all CGI in 2010? Brock has definitely proven to be a man of conviction and integrity, so whatever it is, I’m sure it’s hidden somewhere in that image. Spend the next month tearing it apart with me and, as Brock himself implores…

This is an image that is meant to be distributed. If you do a comic, run a blog, have a Facebook or MySpace page or whatever–PLEASE STEAL THE ABOVE IMAGE AND POST IT.

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Daniel Lafrance Raises Money For Starthrower Foundation ~WITH~ New Charity-Based Webcomic

Given how readily giving webcomics readers have proven to be already, I’d say we need plenty more strips just like this one. Daniel Lafrance has started a new webcomic with the specific purpose of raising money for the Starthrower Foundation, a charity geared towards providing the means for young Haitian adults to finish their educations and move out into the workforce and out of the poverty so many are stricken with.
starInHaitiBanner
The strip, titled Starthrower in Haiti,  has already been praised by Brad Guigar, so you know that Daniel is doing at least something right in this endeavor, and a quick glance shows that the art and story are at least competent enough to warrant passing along some money to this great cause. Read a bit more about the comic straight from Daniel himself and make sure to give at least a little in this season of glad tidings:

Starthrower in Haiti, a Fundraising Webcomic

We are thrilled to announce the launch of a webcomic completely dedicated to raising funds to a charitable cause!

Starthrower in Haiti (www.starthrowerinhaiti.com ) introduces us to the work of the Starthrower Foundation, a Canadian-registered charity in Haiti.  All funds raised by the webcomic go directly to sponsor young Haitian adults who wish to complete their education and/or apprenticeship enabling them to move into the workforce, and out of poverty.

Starthrower in Haiti is created by Daniel Lafrance (www.danlafrance.com ), a professional storyboard artist working in animation for over 24 years.

[…] Starthrower in Haiti is updated twice weekly.

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