Comic Strip Superstar

This is what I get for being away for so long. As you’ve probably already read here and here Amazon has been running a contest for comics. I find it very amusing that the guys selling the newspaper replacement, in the kindle, are running a contest where new fresh artists are creating newspaper style funnies. I doubt this will be the next wave but it does feel like a good jumping board for Amazon to get into comics distribution. Now if only they could create an E Ink display that used color…

The 10 final contestants are:
Belle Plaine by Eric Gapstur
About Josh and Collingwood, two fifth graders who use their wit and ingenuity to stave off boredom in a small town.

Büni by Ryan Pagelow
A dark comedy told in cute pictures. It revolves around a hopelessly optimistic loser bunny named Büni. The girl he loves doesn’t love him back.

CounterCulture by Kory Merritt
Follows the life of Margo, an oddball teenager who lives with her father, Bob Bower. Supporting characters include Margo’s ditzy ferret Kassidy, her laidback boyfriend Dobbs, and her giant boa constrictor, Stretch Armless.

Evil Twin by Alexander Matthews
Story of twins Myron and Ludwig, two 10 year-old boys who, like most brothers, are engaged in a constant battle of one-upmanship. They trade insults, devise devious schemes, and have a vivid fantasy world.

Girl by Dana Simpson
She’s a kid who’s awkward at school, awkward at home, and comfortable in the forest, where her friends all live. She has a name, but her forest-dwelling friends all just call her “Girl.”

Hemlock Heights by Todd Machen
Come join the denizens of Hemlock Heights as they combat some of life’s biggest challenges: first-time snack duty, oversized pool tags, and that most unnatural abhorrence… the neighborhood newsletter (shudder). Tennis anyone?

Joe 6-Pack by Mike Floyd
This strip centers around Joe and his everyday occurrences managing his six kids. Joe used to bring a lunchbox to work everyday, but now he’s a stay-at-home dad. He’s raising his kids on instinct and therefore solves problems and handles everyday situations in his own unique way.

Lil Wit by Andrew Paavola
Whitaker Lawrence, or “Wit,” is a delightfully dark eight-year old by with a barbed sense of humor. Fortunately, Wit is not without his unique charms as he takes pleasure in the simple things, such as giving his teacher headaches, and annoying his sister.

Nutz n’ Doltz by Michael Underhill
A modern update of what Rube Goldberg did so successfully. With a twisted sense of humor and an even odder sense of design, Nutz n’ Doltz mocks the modern gizmos and the way they are advertised to us.

Thatababy by Paul Trap
Babies have it made– they set their own hours and make their own rules, all while commanding the spotlight. Thatababy celebrates that glorious freedom through the eyes of a newborn who lives by one simple rule: It’s a baby’s job to drive their parents crazy.

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Comic Workshop: Superfrat

The flow of suggestions for reviewing is pretty much constant. Some times it’s as high as one per day so you can imagine how many I have in the backlog. What many don’t realize is we don’t interview just any strip out there. Typically Midnight and The Geek pick one they’ve already been reading and like. That doesn’t mean they can’t read through a suggestion and put it on the show, but that’s some of the more rare circumstances.

To help stim the tide building up in our inbox I am slowly going to review this every week, but with a twist. A good number of these are not necessarily strips that I would like or go back to. Instead I will read through and point out what is good and what could use improvement. First on the list is Superfrat.

The story about a frat house full of super-powered brothers. Each brother with a different power as a result of a meteor hitting the house, but each one an archetype we all hate in fraternity brothers. At the beginning this strip starts strong, if not a little immaturely. There’s an arc over the pledges being forced to clean up an indestructible turd left in the toilet. Almost a neat way of telling the readers to not expect “just another superhero” comic.

From there it sort of goes down hill as we find each character are extreme versions of bad archetypes. Starting a strip unexpectedly left me a little upset to find everything else was what I would expect, from the pretty boy player, to the over zealous black panther descendent. We have the pot-head Rastafarian, beer guzzling slob, berkley freedom fighter, a goth so angst he follows every fashion, and the brainy but sexually repressed geek. By the time I made it to the end the only ones I liked were the president and the two pledges, but that may be because they were the only ones that required me to figure them out instead of guess from their art.

The strips strongest appeal was the art. The style is reminiscent of both the old school comics and newspapers, with enough maturity where I could probably recognize the comic outside the site. The arc with the pyramids was a good use of MPH and I thoroughly enjoyed the Dick Masterson in a weird “I hate this guy” sort of way. But it was during the pyramids arc that things start going down hill. Second panel of the second strip was an exact copy of the third panel of the previous strip. All they did was replace the words.

From that point on more and more artwork is reused to the point where I stop being able to tell what day I’m on. This becomes such a problem Tony and Chris begin to make fun of themselves with such strips as this. As it progresses it comes to the point where we lose all stories, and that’s where it finally recovers from it’s split personality. So from June 18th, 2007 to April 9th, 2009, I have no idea what’s going on. I’m so lost I almost couldn’t finish the strip. After the 9th, it becomes a once a day gag strip without any point, which is so much better then where it started then at least a place for it to park.

Advice would be to add a little more depth to the characters or stick to a specific subject for each static strip. For instance drug references stick to Mistah, politics to the invisible f’er, etc. The whole point of static strips is to be predictable to begin with but through the reader for a loop at the end. The whole spider trap trick.

Also stop regurgitating the same old comments from everyone else. At the very least take those and add you’re own at the end. The strip where Dick Cheney talks about Wolf Blitzer no longer being cool is so much better then putting Jon Stewart’s words down. Chances are most of the readers who are still around will have already heard it. Oh, and has Chris gone on vacation? Why are there so rarely any new art work any more?

Bottom line this strip starts well, gained a split personality, and recovered after spending some time in a round rubber room. Now that it has recovered it has potential to grow to a strong political satire strip. Only time will tell.

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Digital Strips 175 – Horizons Rewind

We’re trying something new this time around. It’s been a year since we started our (mostly) monthly look at new comics just peeking over the Horizon, so Jason thought it would be a good idea to go back and play a little “Where are they now?”

We’ve gone back and reread the strips featured in episodes 145 and 148 and seen what they’ve done over the last year. Some have gone up, some have gone down. Tune in, and then let us know what you think.

Reviewed Strips:
Sparko
Head in the Clouds
Skadi
One Swoop Fell
Ellie Connelly
Bear Nuts

Other Strips Mentioned
Bolt City
Copper
The Meek

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Preaching to the Pews

Years have gone by, 5 for those who are counting, since I started reading webcomics and it still surprises me. It is amazing how a medium that feels so niche can also have so many followers, but isn’t that the point? My previous post talked about Diamond not distributing the last week of the year and how it is a great opportunity for webcomics to get on the shelves. But why has it been so hard up until this point? Since my memory works like a plate of spaghetti, another memory came falling out about a mini storyline completed a month ago on Least I Could Do.

It has been some time since I concluded that success of webcomics is due to the combination of Internet and niches. That’s why it so hard to make it on to the comic shelf, because your entire audience is spread around the world and they are not even going to think about running to your home town to buy of the 5 shelves you convinced owners to give you. Instead webcomics sell online, along side their free product. This creates an environment of immediately hostility for those creators who stray even one inch outside their reader’s comfort zones.

So why did the guys at LICD jump on their soap box and tell an audience, generally known for chasing free products, that illegally downloading products is wrong? I don’t know about you but that sounds like shooting a gun off in a small metal box. There are going to be readers that disagree, violently. Yet a short walk was taken and although the why seems obvious, the “what’s for lunch” question seems just as interesting. Has Ryan been drinking an endless supply of red bulls paid for by Bono? or perhaps he personally believes deep down that he isn’t entitled to the hard work of others and that the best solution to make valuable products cheaper is to stop buying or stealing them at high prices? In the end only the artist loses because the middle men all have insurance from theft.

Besides having a pair of bowling balls for walking around with a match at a gas station Ryan showed me something else. They may be running a business with the strip and Blind Ferret but him and Lar are still artists. The product is never sacrificed for the green and the message always comes from the same place. That makes a good start to creating a webcomic. Don’t worry about your readers or any outfall. In the end what you should really care about is if your comic still makes you proud today as the day you started.

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Digital Strips 174 – Zuda Watch Oct 09

So pretty much every web comics blog has already mention that Scott Kurtz has made peace with Zuda, at least in theory. He did a whole big nice write up about how he’s in the process of changing his mind about the contest and wishes the best of luck to all those involved.

There’s been a lot of stuff said on both sides of the fence about the Zuda issue. Some people adore it. Some people fear it. We here at Digital Strips have made no such comments because we have no such feelings. All we do is Watch. Zuda Watch.

Actually, the only statement I feel I’m informed enough to make about Zuda is that it has created a very passionate and lively community and the comics just keep getting better. This was another fun Zuda Watch to prepare for and put together. So go read all the strips, take a listen and lets discuss shall we. The comments button beckons you.

Sites mentioned in this episode:
Hijos de P
Clandestino
Bone
Reno
Much the Miller’s Son
Doctor Horrible
The Kind you Don’t Bring Home to Mother (Guess who’s coming to dinner as we refer to it in the show)
Rogue Royal
Lovecraft is Missing
Commissioned Comic
Digital Strips Adventures
Captain Excelsior
Riceboy

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Indy Comic Book Week

Every once in awhile there’s big news I can’t help but trip over and read. First there is the news about Diamond deciding not to publish distribute any new comics during the last week of the year. There are many view points about this decision I can understand. Times are hard and sales of comics historically go down this week because their target audience tends to spend their time at home or on vacation. I don’t know about you but that seems like taking the easy road. Does it not make more sense to put out new comics and see which ones would do well next year?

That’s where a group of artists got together and decided to do just that. The Indy Comic Book Week was started as a call to action to challenge writers and artists to self publish new material for that week, and offer it to their local stores. From their site:

This is a perfect storm that opens up those new release shelves for the independent community. We don’t have to be set aside to the small publisher shelf for once and can stand tall in the spots that the big, national publishers usually take. Not only is this an opportunity for creators, it’s a great opportunity for the reader as well. Instead of picking up their usual books, they can check out something new, different, and most likely something local.

So, I’m putting forth this idea to the comic book community. Let’s turn “No Comic Book Week” into “Indy Comic Book Week”. Creators, let’s step up and put those books together. This is our chance to show the world that our books and creations can stand strong on those shelves as well as any major publication. It doesn’t have to be a 22-page full color affair; it can be a small black-and-white ashcan. But it has to be new, it has to be a product of your own creation, and it has to be awesome. Then talk to your local comic shops about putting your book on those shelves for the week of December 30th. Comic book readers, go to your local comic shops and tell them you want to see “Indy Comic Book Week” on the new release shelves. Tell them you want to see something new and different on those shelves. Comic book retailers, show some support for your local creators by filling those new release shelves with great indy books and hopefully open up your patrons to something new that they would not have read otherwise.

This is a group of people who know an opportunity when it knocks.

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Digital Strips 173 – Review: Much the Miller’s Son

Growing up I was convinced that Robin Hood was a anthropomorphic fox. It wasn’t until later that I realized that he was really a post man who could breathe under water and played a butt load of baseball. Later still I realized he was the Dread Pirate Roberts. Recently I learned he was actually British, and just a few months ago, I learned he was a bit of a dillhole.

This time around we talk about Much the Miller’s Son, by Steve LeCouilliard, one of the most European comics I’ve seen on the web. How does this new take on a classic tale hold up? Tune in to find out.

How’s that’s for mysterious?

Comic’s mentioned in this episode:
Dawn of Time
Questionable Content
I Love Tapes
Tiny Kitten Teeth
PVP
Penny Arcade

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Creeps, Lowlifes, and Rabble-Rousers Take The Spotlight ~IN~ Chillin’ Like Villains

Are you tired of seeing the heroes get all the attention? Me neither, which is why you should go check out Digital Strips Adventures, now featuring Captain Excelsior!

Ok, so if you are jonesin’ to see antagonists get their time in the spotlight, you should also check out Chillin’ Like Villains by the one-and-only, Ryan Estrada. With this, Estrada’s first daily comic strip, he’s trying something a little bit different…

villainlogo

I’m trying something new with this comic- most webcomics will run for a while, then collect the comics you’ve already read into a book. Well, I’ve got a 100 page buffer, so I’ve decided to put the book for sale on day one. So if you like what you see, you can snag a copy of the book and read half a year ahead!

‘Twere anyone else, I’d say, “Good luck, buddy!” and cheer, albeit in a low-key manner, from the sidelines. But this is Ryan Freakin’ Estrada we’re talkin’ about here! This is ALREADY a success AND the rights to the film, TV show, and regular series have likely already been optioned, or whatever one does with rights once they acquire them.

I’d say go read, but you already did that when I said “new” and “Estrada”, didn’t you?

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Congrats to all 24 Hour Web Comic Day Participants

So it turns out if you try to get to www.webcomics.com and you forget to type the ‘S,’ you end up at Least I Could Do. I had no idea those guys were so crafty.

In other news, yesterday was 24 hour comic day. One of those events that are so epic and fun that only the Internet and its community could possibly contain it. I know that Kris Struab and Scott Kurtz participated this year and I’m sure over the next few days we’ll start seeing the fruits of labors done by them and the many other creators who undertook this challenge.

I love this short of super-dedicated, short time, high output creative endeavor. My hat goes off to everyone who tried and the article of clothing of choice to those who finished. I’m a three time NaNoWriMo failure so I know true grit when I see it and 24 hour comic survivors have it in spades.

So super congratulations to everyone who did it and keep your eyes on Digital Strips, I’m sure we’ll find a couple excellent comics that came out of this years event.

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