Now That RatFist Is Over, Go Tell People About RatFist

RatFist coming to bookstores in DecemberAnd that is creator Doug TenNapel’s desire, not my own (though it is certainly a sound one). In the upcoming Episode 253, Steve and I put Ratfist up against Battlepug to see who wins the Internetiest Webcomic Title Of All Time and came away with a realization that we loved both comics equally, though for very different reasons. I also got to tell Steve in that discussion that Ratfist was ending this week, which he conceded to be a good thing as so many comics seem to wear out their welcome.

With 150 updates in the bag, Ratfist has called it quits, but not only can the comic be found in its entirety at the handy dandy, easy-to-remember URL, but a collection featuring bonus content and landing at 176 pages drops later this year from Image Comics (front cover, pictured left). Doug encourages people to tell everyone they know about the comic and for existing readers to pick up the book to show the big publishers that putting out books based on webcomics is a great idea. Can’t really say I disagree with any of these sentiments.

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Webcomic Interview Round-Up

RoundupBecause really, what else should a write-up like this be called?

Kate Beaton talks to Newsarama for a 2-part series (Part 1, Part 2)

The Boston Globe talks with Jeph Jacques, Jeffery Rowland, Rich Stevens, Randy Milholland,  and Michael Terracciano about the business of webcomics

At CBR, Talkin’ Comics with Tim sits down with Canaan Grall

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Escape From Planet Nowhere Returns September 4th

I’m treating this as the best birthday present ever that was not specifically intended to be so. Otis Frampton announced on the site blog that Escape From Planet Nowhere, a wonderful, gorgeous space adventure comic (while it lasted) is returning September 4th. I have missed the flawless execution on the genre that this comic brought to the game and can’t wait to see where things go next.

From Otis himself:

Okay, so I kinda disappeared there for a while.

A long while.

The last year since I moved back to Minnesota has been rockier than I anticipated and my webcomic work has been the thing that has suffered most. But something had to be put on the back burner while I built up my business, and unfortunately it meant that I had little time to visit Planet Nowhere.

That being said, I’ve been working on new pages and when the webcomic returns on September 4th, I should be a couple of months ahead of schedule.

Sorry for the long absence. See you next month.

Damn. I was gonna have a hot dog.

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Giving Away Your Product (RSS Feeds Kill Page Views And Thus, Comics)

MaximumbleRecently, Chris Hallbeck (The Book of Biff, Maximumble) stopped including the entire comic in his RSS feed for fear that it was giving away too much too easily. There was a day when this annoyed me and having to click through to view the actual website that housed a comic was enough to drive me to drop it from my list.

However, I’ve now softened on that notion. It could be because I have met Chris in real life on one occasion and now want to help him succeed in his endeavors in any way I can. It may be that the pervading sense of entitlement on the Internet is making me sick and I want desperately not to be a part of it.

Whatever the reason, I no longer care about that extra click and have even started going out of my way (and what a long way it is) to visit each website in my RSS feed to make sure their pages are getting the proper hit from my readership. This is likely a drop in the bucket for most of the comics I read on a regular basis, but it is certainly a behavior that I hope all readers consider. Eventually (hopefully), a comic can reach a level of superstardom so rare and so sky-high that page views are no longer a concern, and in this case, reading via feeds doesn’t register on my radar. But when I know the creator is struggling just to get each update online, when it’s apparent that this is a labor of love and nothing more, it’s my duty as a consumer of their content to at least give them the Web equivalent of paying a fraction of a cent for viewing their work.

So how do you feel about reading comic via a feed? Do you do what you can to make sure the creator gets the respect they deserve for each comic produced? Or do you read through your feed without visiting any actual websites, denying those content providers their proper due?

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Help Fund The Bean Vol. 1: Riddles and Shrooms

Another day, another Kickstarter. This time around, it’s Travis Hanson, who’s asking for help getting his first collection of The Bean off the ground. He’s also posting updates to the project as they come along, so there’s more reason to visit the KS page and pledge your money to help him out. To his credit, it looks like the funding process is already going along swimmingly.

The Bean Vol. 1: Riddles and Shrooms

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Drawing Breasts Is Tough (But Fun) Business

Epic BoobsIf you’re a man, and you enjoy drawing boobs, chances are you’re doing it wrong. And that’s not terribly unexpected! Neither having regular access to the subject you’re drawing nor experiencing them attached to you first-hand (for 99.843 % of the community, at least) leads one to draw from reference and/or flighty fantasy when drawing some monumental mammaries.

But artist Ovens of Chipperwhale is here to guide the fellas in the art, and joy, of properly depicting truthful tatas. Let them sag, don’t worry about always giving a proper salute! Nipples have their place on a breast, and it is not always pointing directly at you! And other unknown facts are yours if you follow the handy link below! WARNING: There are other links included in said article which can form quite the deep rabbit hole. Wordplay very much not intended, but well done nonetheless.

The art of boobs, Caperton (Feministe)

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Comic-Con: Retailers/Publishers Decide Maybe Digital Distribution ISN’T The Devil

That woman is the DEVIL!Before I begin, make sure to click the link at the bottom of this post to read the full article. It includes lots of details that I won’t go into here, but is well worth the read.

It’s not hard to see why some retailers and/or publishers might be reticent about jumping into the digital distribution craze that’s sweeping through the comics industry. The money stream completely changes and, in most cases, shrinks, and no one wants less money for their product. However, a panel went down at Comic-Con this year where that very real conundrum was discussed, with Scott Kurtz and Mark Waid (representing the Web and paper comic book communities, respectively) heading up the rundown.

Whether they’re laughing and skipping or kicking and screaming, retailers are seeing the revenue being missed in the digital stream and are largely ready to get their share. But with the big two (Marvel and DC) putting more and more content online, there is too much money to be missed by not offering some sort of service to that end, not to mention the squelching of the pirating movement, which is a big problem for nearly any form of entertainment these days. DC is even launching an initiative this Fall, to coincide with their line-wide relaunch of nearly every title they put out, which will see all of their comics coming to the digital marketplace day-and-date with the paper editions. While prices will keep many people from picking up the digital copy in its first month (when the price will be the same as the shelf copy), I know I can certainly wait a month to read the stories I want to read without having to mess with storing a physical copy afterwards.

Also of note in this discussion is the idea of formatting content for reading on digital devices, mostly made up of the growing iPad contingent. Notably, Love and Capes creator Thom Zahler keeps this in mind when laying things out and adjusts accordingly. The more the digital thought process permeates the comics industry, the more this kind of thinking will have to become second nature. Of course, oddballs that must be read in a certain context and fashion will still exist because as long as people care about comics as a storytelling device, there will exist a niche of creative, mind-expanding content.

Comic-Con embraces the iPad era, Jason Snell (Macworld.com)

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JManga.com/Yen Press Brings Japanese Publishing To The Web, Mobile, Tablet Devices

JManga - Japanese ComicsBig news out of Comic-Con, shared via none other than our good friend and webcomicker extraordinaire, David Gallaher (you have to actually Google most of his work as it’s largely behind a Flash-based, link-hating site, but search it out you should).

It appears that Yen Press and several Japanese publishers are gearing up to bring manga to the U.S. in a big way, as big as, say, Comixology’s push to distribute digital comics for the big comic book publishers based in the U.S.

Yen Press brings with them a localized version of their iPhone app which features a great deal of manga, while the publishers have come together to form JManga.com, a destination for the hottest and most popular manga, coming straight from Japan. The Yen Press app is already available in the App Store and JManga.com should be launching in near future, but given the ridiculous popularity these works already enjoy here, it’s not hard to imagine something like this being a huge hit with the target audience.

Admittedly, I do not find myself in that group, but with mainstream American comics gaining increased traction in the digital arena (despite being largely derivative and exhaustingly recycled), a move like this is sure to do at least a few favors for a type of comic that has already permeated several forms of American entertainment.

SDCC 2011: Yen Announces 3 Licenses, Publishers Unveil JManga.com, Brigid Alverson (MTV Geek Blog)

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Digital Strips Podcast 252 – Review – Turbo Defiant Kimecan (Douches and Crackers)

The Baywatch crewWe’re bringing you a shorter episode this week, either due to laziness or lethargy in the news arena, your pick. With that second segment removed, we’re bringing you a concentrated, laser-focused show full of nothing but webcomics talk. Oh, and also Disney animated features. And Baywatch. I think that’s about it, though. See? Laser-focused.

Apparently next week we’ll be reading a couple of comics and taking them head-to-head, for what purpose I’m not sure. But read Battlepug (8:13) and RatFist (8:50) and come back next week for the brawl to end them all! A couple of other comics mentioned in our opening arguments:

Taking us into our second segment is a tune that’s been on my mind recently, beautiful retooled by OCRemixer, Jonah-B. It’s the title theme to The Legend of Zelda: The Ocarina of Time, “Dark Shores of Hyrule” (11:18). Figured I’d find something from that game to encourage me to jump back in and finish the recently released 3D remastering on the 3DS. And you should do the same starting August 12, when Nintendo is dropping the price from $250 to $170. Hey, I need more people to StreetPass with, so sue me.

What’s that? Oh. Right. Laser-focused.

Our review segment is full, and I do mean full, with talk about our featured review:

  • Turbo Defiant Kimecan by Ferran Daniel, James Caballero, Salvador Vasquez, Jorge Gonzalez, Luis Silva, Aaron Lenk, Carlos Campillo, and Igor Filjusin (13:29)

This is fairly unapologetic manga, with a few caveats, and pretty entertaining manga at that. This is especially shocking coming from me, a self-professed manga hater, but this is a quality comic in nearly all regards and sucks you in and never lets go. In our discussion, we also mention:

Be sure to drop a comment below, if only to tell us how to pronounce “Kimecan”.

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