Digital Strips 153 – 2008 in review

It’s not often that we review a whole year rather than comic or two, but as part of our new years resolution to bring you the best of web comics, that’s just what we’re gonna do on this episode.

We’ve got several topics about this last year that we each had some opinions to throw down. The topics and the comics we decided on are as follow.

Most Important News Story

Wowio goes Platinum, kind of

Best Zuda Entry

Terrestrial by BW Swartz

Rumors of War by Justin Jordan and John Bivens

Problems by Alexander Drummond

Best New Comic

Skadi by Katie Rice & Luke Cormican

M.I.M.E.S. by Wayne Cordova and Harold Jennett

Captain Excelsior by Zach Wiener and Chris Jones

Best Comic We Reviewed

Abominable Charles Christopher by Karl Kerschl

Good Ship Chronicles by Tauhid Bondia

Octopus Pie by Meredith Gran

Best Comic in 2008

Sinfest by Tatsuya Ishida

Hereville by Barry Deutsch

PVP by Scott Kurtz

Please don’t judge this episode by my intro, I’m using a new program and apparently it records differently.

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Review: Hexed, issue 1

This week, Boom Studios offered the first issue of the new miniseries Hexed for free online on the same day the print edition went on sale, a stunt they pulled off last year with Northwind. Northwind sold well and validated the notion that people will pay for a print edition even if the comic is available for free on the internet. Waid explains the current promotion in a video before the comic, and he talks a bit about the Northwind experience in this interview with ICv2.

A couple of print comic publishers have experimented with offering free content online, but they tend to hedge their bets and only put the first 10 or 12 pages up. Boom is offering the entire four-issue miniseries. With that in mind, I decided to look at how the first issue works as a webcomic. I haven’t been a big fan of Boom’s books in the past—they’re just not to my taste—but one thing I noticed right away was that Hexed seems to be pretty readable. One big problem with print comics is that their vertical pages don’t fit well onto my horizontal computer screen, and that’s true here, but it’s mitigated by the fact that the artist, Emma Rios, tends to divide the page into halves or thirds, so it’s easy to scroll through. Although the story is told in first person, mostly the main character’s interior monologue, the writing is concise, so the page isn’t cluttered with a million tiny text boxes. And the art is clear and linear, so it’s easy to grasp the gestures in each panel. The colors are absolutely lovely, and they probably look better on a backlit computer screen than on a printed page.

The deeper question is whether Hexed passes what I think of as “the Zuda test”: Continue reading

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