Wizard interviews three webcomics creators—Scott Kurtz of PvP, Chris Onstad of Achewood, and Lora Innes of The Dreamer—and talks some serious nuts and bolts: What’s your traffic, how much do you pay for hosting, how do you build your site, and what do you use to draw the comic?

Apparently not everyone shares my aversion to scrolling; Von Allan did a poll and found that 80% of respondents weren’t bothered by it at all. I guess I’m in the minority.

And here’s a big-picture piece by Jake Forbes: Four Challenges for Digital Comics to Overcome. Forbes is a veteran comics editor whose credits include the best-selling comic Fruits Basket. (Yes, it’s manga, but the top manga outsell most other comics.) Anyway, upon reflection Jake comes up with a more concise list; both are worth a look.

The Monsters of Webcomics show is up at the Museum of Cartoon Art in San Francisco, and the local media is on the case with both the San Francisco Chronicle and SF Station filing reports this week.

Lori Henderson reviews the online manga anthology SIGIKKI. Speaking of which, in this article, Japanese publishers basically admit that they can’t do much about scanlations, illegally posted fan translations of manga, through legal means, so they are fighting back by putting their manga up on the web themselves. It’s so crazy it just might work!

Alex Dueben talks to Jonathan Rosenberg about Infinite Typewriters, the print edition of Goats, at Comic Book Resources.

Delos reviews >Will Write for Chocolate, a charming little webcomic by writer Debbie Ohi.